作品將人物置於樹中庇護，藏匿於恰巧的天地範圍，寄居樹洞，象徵兩面的自我保護，有忽視潛在變化的風險，由上的過度依賴，迷失醉生夢死般的安逸，固化纏身，而下最終順應生命流轉，步入平和落地為真的歸屬，交織出困境與釋然、壓迫與安穩、沉淪與復甦的語境。

在現實能足夠醒覺跳脫框架前，我投射部分的自己，永久擱置在那，生時駐足於此理想容身，死時便落為堆肥，供應大樹養分，形成落葉歸根的循環。本作既是避風港灣的再現，亦像原生家庭的宿命象徵。

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The people are placed in a tree for protection, hidden between the sky and the earth. They reside in tree holes, symbolizing two aspects of self-protection and the risk of overlooking potential changes. The upper part shows overreliance and getting lost in unrealistic comfort, which the person is entangled with. The lower part demonstrates compliance with the course of life and a march toward peace and a practical sense of belonging. The interactions between the two parts present the contrasts between impasse and rapprochement, pressure and stability, and collapse and rejuvenation.

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Before reality is fully awake and breaks all the current constraints, I spare a part of myself and leave it there forever. When I am alive, I stay here and accommodate myself in ideality. When I am dead, I fall and turn into fertilizer that nourishes trees, driving the life cycle of a tree. This piece is a representation of a safe haven and also a symbol of the fate of the native family.