「我在開始每幅拼貼風景時並沒有明確的想法或要繪畫的對象，而是在拼貼的過程中讓風景自然顯現。」

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十年前，我不確定自己要不要在台灣生活。朋友帶我去東岸露營，在花蓮附近。他堅持我們早上五點起床，去看海上的日出。我永遠不會忘記太陽從海洋升起，海浪拍打著我面前岩石的景象。那時我決定要留在台灣。

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我通過選擇不同繪畫中的紋理片段，重新組合它們，進行加法或減法、合併或撕裂，創造出意想不到的風景。使用拼貼技術及靈活的手法，使我能夠克服媒介的限制，不僅轉變了組成和佈局，還改變了水墨紋理的類型。

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“I wasn’t clear about what to paint when I started to create the pieces for the collage. Instead, I let the scenery naturally emerge during the creation of the collage.”

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Ten years ago, I was unsure whether I wanted to live in Taiwan. I once went camping with a friend on the East Coast near Hualien. He insisted that we get up at 5 a.m. and go see the sunrise above the sea. I can never forget the view of the sun rising from the sea and the waves crashing against the rocks in front of me. It was when I decided to stay in Taiwan. 

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By selecting and recombining fragments of my different pieces of work, after multiple additions or deductions and combinations or separations, surprising scenery was created. The use of collage and flexible techniques allow me to break the limits of the media, changing not only the composition and layout but also the texture of the ink.