試圖將我所看到牆的平面作為「起點」，透過修補的痕跡作為「素材」，試圖來推敲出牆面內裏的樣態。而將平面痕跡的深度還原過程，如同海洋中島嶼的創生。作品以半透明的藍色塑膠布做成一面透光牆面，牆面阻絕了觀眾的身體及視覺的前進，透過帆布上的孔洞來串連牆面兩側的空間，而在這清透的藍色空間就像是被特意圈選（或反白）的空間。半透明的藍色牆面在空間中，隨著室內的空調及風扇緩慢的起伏和消退，牆面不再那麼的堅實，而是開始有了呼吸和情緒，如同物質的熱脹冷縮、海水潮起潮落。透過牆面上的孔洞所窺視到後方的空間，就像是日記般地呈現出空間內不同位置的影像日記。

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​I try to use the surface of the wall I see as the “starting line” and the traces of repairment as the “materials” and deduce the look inside the wall. The process of restoring the traces on the wall surface is like the creation of an island on the sea. In this piece, a transparent wall is created with semi-transparent blue plastic sheets. The wall surface blocks the audience’s bodies and visions. The spaces on both sides of the wall are connected with the holes in the wall, and the transparent blue space symbolizes a space being intentionally selected or highlighted. The semi-transparent blue wall is no longer firm in the space, swinging slowly in the wind from the air conditioner and fan. It starts to breathe and have emotions, like the thermal expansion and contraction of matter and the ebbs and flows of the sea. Through the holes in the wall, the space behind it can be observed. Like a diary, it presents the image diaries of different places in the space.