「洄瀾美展」自1995年開辦至今，已走過四分之一個世紀，始終致力於鼓勵藝術創作，回應時代精神，推動藝術與社會、環境及文化的深層連結，不斷拓寬花蓮美術視野。
Since its initiation in 1995, the Hualien Art Exhibition has had a history of a quarter century. It is held to encourage art creation, respond to the spirit of the time, and establish a close connection between arts, society, environment, and culture, seeking to broaden the horizon of art in Hualien.
本屆洄瀾美展分為四類組：當代藝術創作類及經典媒材創作類－東方媒材組、西方媒材組、立體造型組，延續前屆國際徵件規模，吸引來自各國共計284件作品參賽。經各階段評選，將由26件入選作品共同呈現「2024洄瀾美展」，展現當代與經典媒材之間多層次的美學對話與可能性。
The Exhibition this year encompasses four categories: Contemporary Art and Eastern Media, Western Media, and 3D Design of Classic Art. Similar to the scale last year, the Exhibition received 284 submissions from home and abroad this year. After the reviews and assessments, 26 art pieces were selected to be exhibited at the 2024 Hualien Art Exhibition. Multilayered aesthetic dialogues between contemporary and classic media and their possibilities are to be presented at the Exhibition.
展覽主題「共振－偶然的躍動」，以「共振」強調作為一種跨越時間、空間與媒材界限的動態過程，不僅是一瞬間的思想對頻，更是對當下時代的深刻提問與回應。無論是當代藝術還是經典媒材，兩者展現出提問、探索與創新的精神，皆能在創作過程中激發出新的能量與視野。
The theme of the Exhibition this year is “Resonance—A Coincidental Dance.” Resonance, a dynamic action transcending the limits of time, space, and media, represents not only a momentary matching of thoughts but also in-depth questions and responses about the present era. Be it contemporary art or classic media, they both embody the spirit of posing questions, explorations, and innovations, and new energy and horizons can be developed during art creation.
「偶然的躍動」強調創作的開放性與延展性，當東方與西方、平面與立體、當代與經典相遇，作品之間的共振躍動，不僅超越媒材界限，還讓觀者感受到那些隱形卻深具啟發的內在連結。不同媒材在創作中的對話，不僅展示了各自的美學特質，也拓展了藝術語言的邊界。
“A Coincidental Dance” emphasizes the openness and flexibility of art creation. When Eastern and Western media, graphic and 3D media, and contemporary and classic media meet each other, the art pieces resonate and dance together. They not only transcend the limits of media but also make the audience feel the invisible but inspiring inner connections. The dialogues between various media during art creation demonstrate their respective aesthetic features and extend the boundary of the language of art.
展覽英文主題「Mapping the Invisibility」探討「共振」如何超越媒材，延伸至人與人、環境、歷史與社會之間的深層連結，邀請觀者探索不同層面之間的隱形對話與內在聯繫。
The English theme of the Exhibition, “Mapping the Invisibility,” explores how “Resonance” can break the limits of media and exert its impact on the close connections between people, environment, history, and society. It is an invitation for the audience to the exploration of the invisible dialogues and inner connections between different perspectives.
▲ 2024洄瀾獎作品
▲ 2024洄瀾美展開幕暨頒獎典禮合照
本屆美展延續國際徵件方向，除了我國參賽者外，亦有來自英國、加拿大、香港、馬來西亞、俄羅斯、美國、中國及法國等各地藝術家報名，共計284件作品參賽。
The Hualien Art Exhibition this year continues to welcome entries from abroad. In addition to Taiwanese participants, the Exhibition has attracted artists from the UK, Canada, Hong Kong, Malaysia, Russia, the USA, China, and France, with a total of 284 entries received.
本屆美展延續去年「當代藝術創作」類、「經典媒材創作」類獎項，分為「東方媒材」、「西方媒材」及「立體造型」3組，提供藝術創作者更加完善之競賽平台。
通過各階段評審，本屆入圍展出之作品共計26件：
Building on the format last year, the Exhibition this year features two main categories—Contemporary Art and Classic Media—with the latter further divided into three categories: Eastern Media, Western Media, and 3D Design, providing the artists with a diverse platform to showcase their works and compete.
After thorough reviews and assessments, 26 entries have been selected for the Exhibition:
當代藝術創作類 Contemporary Art
余佳芯《豐穗》、嚴紹恩《帝國主義與生成擴散模型》、楊健生《雨淋》、陳肇彤《深度還原》、林書旭《黑色1號》、峇岦嵐偲．旮札涅蘫《塵埃揚起的漣漪是土地擁抱的形狀》
Bountiful Grain by Chia Hsin Yu, Imperialism and the Diffusion Model by Shao-En Yen, rain. rain by Kian Sam Yong, Depth Recovery by Chao-Tung Chen, Black No. 1 by Shuxu Lin, and The Shapes of Embrace from the Land by Paqeriras Kazangiljan.
經典媒材創作類 Classic Art
東方媒材組 Eastern Media
甘捷曼《東岸的日出，海浪拍打著岩石》、林錦芳《異次元無極限》、康興隆《榕下晨曦》、
張家榮《楊牧〈帶你回花蓮〉》、張峰銘《心象洄瀾》、
劉振富《元宇宙山水之二十三－砂卡噹懷想曲》、盧怡君《豐盛之秋》、蕭宇倢《無題》
The Sun Rising From the East, the Waves Crashes Against the Rocks by Germain Canon, There Is No Limit to Different Dimensions by Jin-Fang Lin, Morning Light Under the Banyan Tree by Hsing-Lung Kang, Yang Mu, Take You Back to Hualien by Chang Chia-Jung, Imagery of Hualien by Feng-Ming Chang, Metaverse Landscape No. 23 – Sakatang Nostalgia by Cheng-Fu Liu, Mellow Golden Autumn by Yi-Chun Liu, and Untitled by Yu-Chieh Hsiao.
西方媒材組 Western Media
周依潔《午間聚會》、林冠名《而安之若命》、苗裕康《大地之聲》、
高海蓮《Tjavualji的獵人》、張杏熙《無名英雄》、蘇子翔《孤島》
Lunch Party by Yi-Jie Chou, Serenity in Fate by Kuan-Ming Lin, The Sound of Land by Fernando Miao, Hunter of Tjavualji by Hai-Lien Kao, Unsung Hero by Hsing-Hsi Chang, and The Lonely Island by Tzu-Hsiang Su.
立體造型組 3D Design
方昭茨《聚成的記憶》、林彥伶《地底漫遊》、梁麗如《浮．夢》、
葉竹修《我指引你跟隨》、廖乾杉《愛情花束》、蘇建程《乘光》
Memory of Big City by Chao-Tzu Fang, Roaming the Underground by Yann Lyn Lin, Drifting Dreams by Li-Ju Liang,
I Guide You to Follow by Chu-Hsiu Yeh, The Bouquet of Love by Chien Shan Liao, and Fly by Light by Chien Chang Su.